Sitemap - 2023 - 5AM StoryTalk

In Memory of John Singleton on His Birthday

Happy Holidays from 5AM StoryTalk

20 Christmas Movie Screenplays to Download and Study for Free

Why You Never Get Tired of 'It's a Wonderful Life'

Be Like Bowie…or Die Trying

Weekly Question: What makes a great Christmas song anymore?

DIE HARD Is the Only Christmas Movie That Bridges America's Political Divide

One Surreal Christmas Day: When Bing Crosby Met David Bowie

Q&A: Comic Book Legend John Romita Sr. Through the Eyes of His Son

Weekly Question: Who is your favorite comic book artist?

There's No Way NAPOLEON Could Ever Be As Entertaining As Ridley Scott's Interviews About NAPOLEON

The Danger All Artists Face When They Leave Their Audiences Behind

Q&A with Susanna Fogel: The CAT PERSON Director Says the Darndest Things

Weekly Question: What's your favorite Christmas film?

20 Hard-to-Find Christmas TV Specials Free on YouTube

5AM StoryTalk Coffee Reading: Issue 8

Q&A: Director Clay Kaytis on Nostalgia, the Holidays, and Finding Himself in His Work

On Its 40th Anniversary, It's Time to Recognize MR. MOM As a Feminist Classic

Weekly Question: What films deserve to be reconsidered from new points of view?

The WGA Strike in Photographs: A 'People's History' Part 2 by J.W. Hendricks

30 Brilliant BBC Drama Scripts to Download and Study for Free

Let's Talk Turkey: There's Value in What We Create

Everything You Think You Know About EDWARD SCISSORHANDS Is Wrong

Weekly Question: What 2023 art are you most grateful for this Thanksgiving?

Q&A: Gennifer Hutchison Talks Breaking In, Breaking Bad, and Keeping Things Grounded in Genre

THE FABELMANS Is Much More Than Steven Spielberg’s 'Most Personal Film'

A Tale of Two (Unlikely) Heroes: NIGHT OF THE LIVING DEAD and ALIEN

Weekly Question: What's your favorite movie monologue?

Q&A with Matt Fraction: The Comic Book and TV Writer on What He's Learned from Letting Go as an Artist

The Church of John Wayne’s Star-Spangled Wang

Q&A: Writer-Director Chris Weitz on What He's Learned from Growing Up (and Older) in Film

Weekly Question: What are you struggling with as an artist that you'd like to know more about?

SUPERMAN: THE MOVIE and the Real Genius of Director Richard Donner

5AM StoryTalk Coffee Reading: Issue 7

A Rare Phenomenon: When Recording the Artistic Process Becomes Art Itself

Q&A: Screenwriter Sarah Phelps on Why She Writes (the Really Long Answer)

Weekly Question: What are some of your favorite cover songs?

Let's Put the Vampire Back In His Coffin: Some Final Thoughts on the Worst Creative Experience of My Life

Q&A: Writer-Director Keith Powell on Being a Diversified Artist

100 Horror Screenplays to Download and Study for Free

Weekly Question: What problematic artists do you find yourself unable to enjoy anymore?

Sometimes 'Not Losing' Is Your Best Hope As an Artist (Or: How I Survived Creating My First TV Series)

Implicit Queerphobia and How We Watch TV (Or: Why It's Okay for Them to Have a League of Their Own)

Every Screenwriter Dreams of Creating a TV Series...But What Happens When You Can't Bear to Watch the End Result?

Weekly Question: What else do you want to know about 'DRACULA' (2013)?

Q&A: Christian Ward Discusses His New 'Neon Noir' Series BATMAN: CITY OF MADNESS - the Fulfillment of a Lifelong Dream

Read the First Chapter of My Debut Novel PSALMS FOR THE END OF THE WORLD

Looking Back at the Soul-Sucking Shitshow That Was ‘DRACULA’ (2013) with Series Co-EP Harley Peyton

Weekly Question: What's your favorite big-screen Stephen King adaptation?

On Screenwriting: What About THE SIXTH SENSE’s Other Twist?

Twenty Classic Horror Films Free on YouTube

5AM StoryTalk Coffee Reading: Issue 6

That Time I Had to Publicly Condemn My Own TV Series

Weekly Question: What's your favorite horror film and why?

A Monthlong Celebration of the Complete and Utter Shitshow That Was 'DRACULA' (2013) on Its 10th Anniversary

Q&A: Sequoia Nagamatsu on His Critically Acclaimed Novel HOW HIGH WE GO IN THE DARK

We Did It! Ex-WGAW President Howard Rodman Weighs in on Screenwriters' New Contract

Celebrating 100 Articles and 1,000 Subscribers with a 20% Off Promotion

What's In the F@cking Box?! (Or: What Quantum Mechanics and Art Have in Common)

Weekly Question: What are some of your favorite lyrics of all time?

On Screenwriting: TOP GUN: MAVERICK Is a MasterClass on How to Introduce Protagonists

Q&A: 'STATION 19" Showrunner Zoanne Clack on Her Journey from the ER to Hollywood

How to Escape the Funhouse Mirror of Culture Through Our Art

5AM StoryTalk Coffee Reading: Issue 5

A Tale of Two TV Series: 'TED LASSO' and 'THE BEAR'

Weekly Question: How much do you hate stadium seating in movie theaters?

Q&A: Writer Ed Brubaker on Making Crime Pay (While Protecting Your Voice in Comic Books and Hollywood) - Part 2

Q&A: Writer Ed Brubaker on Making Crime Pay (While Protecting Your Voice in Comic Books and Hollywood) - Part 1 of 2

Jodie Foster's Big, Beautiful Idea

Q&A with Shawn Ryan: From Rebel to Establishment, the Creator of ‘THE SHIELD’ and ‘THE NIGHT AGENT’ on His Evolution

Weekly Question: What book changed your life?

Lucasfilm’s Disregard for the O.G. Heir to the 'Star Wars' Empire Is Part of a Larger Entertainment Industry Problem

Ethan Hawke: Patron Saint of Lost Artists and Lay Existentialists

Q&A: Ed Laroche Discusses His New Image Graphic Novel ALMIGHTY

5AM StoryTalk Coffee Reading: Issue 4

50 Essential 21st-Century One-Hour Pilot Scripts to Download and Study for Free

Weekly Question: What film would you pay good money to see again on the big screen?

Q&A: 'THE CLEANING LADY' Creator Miranda Kwok on the Transformative Power of Art (Part 2)

Q&A: 'THE CLEANING LADY' Creator Miranda Kwok on the Transformative Power of Art (Part 1 of 2)

Call to Action for Artists: FTC Proposes New Merger Guidelines

Q&A: TV Showrunner Frank Spotnitz on What He's Learned from Trading Hollywood for Europe

Weekly Question: On the anniversary of Emmett Till's murder, author Brittany N. Williams asks, 'What moment of tragedy would you heal with an imagined casual encounter?'

Into the Black Hole: What’s at Stake for Comedy/Variety Writers in the WGA Strike

Every Screenwriter Eventually Faces a Hollywood Version of the Kobayashi Maru

Ever Wonder Why Films All Taste the Same These Days?

5AM StoryTalk Coffee Reading: Issue 3

Weekly Question: Where are some of the best — and strangest — places you go to find inspiration and create?

How to Sequel Like James Cameron: TERMINATOR 2

Q&A: TV Showrunner Amy Berg Has a Lot of Fight Left in Her

Introducing 5AM STORYTALK 2.0

Weekly Question: What's your relationship to vinyl records like?

Music, Arrested Development, and the GUARDIANS OF THE GALAXY

Meditations on Mortality and Cinema: Kurosawa, Scorsese, and Friedkin

Q&A: Author Peter Ho Davies on Finding (and Revising) Himself in His Work

Weekly Question: How do you feel about films that don't receive theatrical releases?

5AM StoryTalk Coffee Reading: Issue 2

60 Great Comedy Screenplays to Download and Study for Free

Why You Shouldn't Trust Hollywood Talent Agents

Q&A: 'SPARTACUS' Creator Steven S. DeKnight on How Genre Shaped His Life

Weekly Question: How do we reconcile our vampiric addiction to artists’ suffering with the joy we take from their art?

No Pie for You! (Or: Why Studios and Streamers Can Afford to Share Their Profits with Writers and Actors)

There Are More Ways to Tell a Screen Story Than Hollywood Wants You to Believe

20 Essential Classic International Films You Can Watch for Free on YouTube

Q&A: Author Kit de Waal on Her Lifelong Love Affair with Classic Film

Weekly Question: What was the last piece of art that shattered you?

Introducing the New 5AM StoryTalk Weekly Question Thread

OPPENHEIMER Director Christopher Nolan Cares a Lot Less about Plot Than You Probably Do

How Hollywood CEOs Broke the Economics of the Film/TV Industry

Why Pitching Projects Taken from the Public Domain Is Risky

Q&A: THE WOMAN KING Screenwriter Dana Stevens Reflects on Her Thirty-Year Career

Cartoonishly Evil CEO Is 'Very Disturbed' Screenwriters and Actors Expect to Be Paid Fairly for Their Work

The F@cked-Up Amount of Free Work It Takes to (Not) Sell Something in Hollywood Today

When Norman Rockwell Got Woke: The Story Behind 'The Problem We All Live With'

Q&A: Writer-Director Ol Parker Breaks Down Three of His Films That I Love

5AM StoryTalk Coffee Reading: Issue 1

How Tony Gilroy Made 'Andor' One of the Best Series on TV

Seriously, WTF Died Inside You That You Could Hate INDIANA JONES AND THE DIAL OF DESTINY?

Q&A: Dailyn Rodriguez on the Challenges She Had to Overcome to Become a Successful TV Showrunner

Art Should Never Lead to Regretting the Life We Forgot to Live

Vinay Patel and the Temple of Doom: What Should We Do About Problematic Art?

40 Great Action Screenplays to Download and Study for Free

Q&A with Daniel José Older: The 'Star Wars: The High Republic' Author on Learning to Write by Living

What If the Only Way to Protect Films and TV Series from Streaming Platforms...Is to Break the Law?

On Screenwriting: The Best Note Sarah Polley, Writer-Director of WOMEN TALKING, Ever Received

The WGA Strike in Photographs: A 'People's History' by J.W. Hendricks

Q&A: Christoph Silber, Creator of 'SAM - A SAXON', Discusses How an International Identity Has Influenced His Screenwriting

On Screenwriting: The Elegant Economy of WHEN HARRY MET SALLY’s First Act

THE MATRIX RESURRECTIONS Is One of the Greatest Blockbusters of the 21st Century

That Time I Didn’t Meet Steven Spielberg

Q&A: Historian and Screenwriter Alex von Tunzelmann on the Intersection of Fact and Fiction in Her Work

More ‘The Horror of “DRACULA”’: Lessons from the Unbelievable True Story of the 2013 TV Series

A Matter of Survival: How the WGA Is Trying to Save Feature Screenwriters

Q&A: 'THE RESIDENT' Creator Amy Holden Jones Looks Back at the Ups and Downs of Her Long Career (Part 2)

Q&A: 'THE RESIDENT' Creator Amy Holden Jones Looks Back at the Ups and Downs of Her Long Career (Part 1 of 2)

50 Great Screenplays by People of Color to Download and Study for Free

How Do You Like Them Apples?! (or: Why Screenwriting Books Can Be Harmful)

A Hollywood Ghost Story (or: How I Wasted Six Months of My Life)

Q&A with Nicholas Meyer: The Filmmaker and Author Discusses His Life and Legacy

The Tragedy of Howard Rodman Sr. (or: Why the Writers Guild Is on Strike)

The Secret Weapon Helping the Writers Guild Win This Strike

Why Artists Want to Murder You When You Give Them Notes (or: How to Give Artists Better Notes)

Q&A: 'Inside Out's' Meg LeFauve on Her Complicated ‘Screenwriting Life’

On Writing My Debut Novel PSALMS FOR THE END OF THE WORLD

How to World-Build Like a Wachowski

Artemisia Gentileschi on How to Properly Decapitate a Man

Q&A: Showrunner Marc Guggenheim Opens Up about the TV Series That Changed His Life...and Broke His Heart

50 Great Screenplays by Women to Download and Study for Free

The Horror of 'DRACULA': The Unbelievable True Story of the 2013 TV Series

Why AI Is the Most Important Issue in the Writers' Strike

Q&A: 'WINNING TIME' Creator Max Borenstein Gets Personal about His Life and Work

How to Create a Great Action Sequence

What a Coffee Shop Taught Me about Screenwriting (and Life)

The WGA Is on Strike — Here’s Why We’ll Win

Q&A with Billy Ray: The Oscar-Nominated Filmmaker on How Donald Trump Changed How He Makes Art

The Most Important Screenwriting Lecture You’ll Ever Encounter

Q&A: Kelly Fremon Craig, Writer-Director of ARE YOU THERE GOD? IT'S ME, MARGARET, Discusses the Secret Lives of Screenwriters

What My First Hollywood Script Sale Taught Me

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