5AM StoryTalk
5AM StoryTalk Podcast
Bonus Episode: Dacher Keltner Talks Jan Steen's ' Merry Company on a Terrace'
Preview
0:00
-14:14

Bonus Episode: Dacher Keltner Talks Jan Steen's ' Merry Company on a Terrace'

The psychologist and awe expert breaks down a seminal piece of art from his life - a 1670 Dutch painting that helps explain why he dedicated his life to studying emotions

Psychologist and awe expert DR. DACHER KELTNER returns to discuss a seminal piece of art from his life — the 1670 Dutch Golden Age painting Merry Company on a Terrace by Jan Steen. It’s a madcap, hyperkinetic depiction of an unruly household that serves as a stunning visual celebration of human joy, drunkenness, and collective effervescence.

Dacher, who grew up in the artistic chaos of late-1960s Laurel Canyon, recounts how encountering this piece as a young man slowed down time, reconnected him to a deep yearning for communal life, and ultimately propelled him on the scientific course that would make the study of human emotions his life’s work.

This is a deep conversation about the vital necessity of everyday wonder, the radical history of the Dutch Masters painting “real humanity” instead of the wealthy, and why we must actively fight the modern Western bias that treats positive passions like joy and awe as less serious than the darker emotions.

Share

If you’d like to listen to this bonus episode with Dacher, but aren’t yet a paid subscriber yourself, you can upgrade now for $6 US a month or $60 a year. You’ll get full access to hundreds of articles and educational resources for artists and art fanatics alike, as well as exclusive articles and podcast bonus episodes like this one.

Become a paid supporter of 5AM StoryTalk to listen to this bonus conversation with Dr. Dacher Keltner!

And don’t forget to listen to the first part of my conversation with Dacher!

Psychologist Dacher Keltner | The Cultural Necessity of Awe

·
May 26
Psychologist Dacher Keltner | The Cultural Necessity of Awe

🎧 LISTEN to this 5AM StoryTalk episode as audio here at Substack.


OTHER EPISODES/ARTICLES LIKE THIS ONE YOU MIGHT ENJOY

Bonus Episode: Lizzie O'Shea Talks Gustave Courbet’s 'L’Origine du monde'

October 29, 2025
Bonus Episode: Lizzie O'Shea Talks Gustave Courbet’s 'L’Origine du monde'

Earlier this week, Lizzie O’Shea — lawyer, author, and co-founder and chair of Digital Rights Watch — joined me for some 5AM StoryTalk. You can listen to that here if you haven’t already. Today, Lizzie returns for a bonus episode exclusive to my superstar paid subscribers whose support keeps the lights on here. We’ll be discussing a

Artemisia Gentileschi on How to Properly Decapitate a Man

·
May 18, 2023
Artemisia Gentileschi on How to Properly Decapitate a Man

Throughout my childhood, my only access to the Detroit Institute of Arts were school field trips. Without them, I wouldn’t have even known the museum existed, as my parents weren’t curious about the fine arts at all. While I can’t be sure on which of these brief visits I discovered the painting

How to Become a Better Filmmaker by Studying Fine Art

·
April 16, 2025
How to Become a Better Filmmaker by Studying Fine Art

Eight years ago, I sent a mood book to some Italian producers with whom I was developing a TV series. It was nearly 100 pages in length, filled with more than 200 images. The images, I hoped, would be experienced as a kind of tone poem of opium-laced dreams, twisted beauty, and gothic horror. A sort of opera of madness, you might even say. The producers — whom I adore (and not just because they’ve plied me with so much mozzarella and wine in my life) — went quiet. I had impressed them so much with my take on this world, I quickly began to worry I had overstepped. Had I revealed myself to be a fool? Were they frantically trying to work out how to fire me from the project I hadn’t even begun to write yet?

User's avatar

Continue reading this post for free, courtesy of Cole Haddon.